Karen Karnes Stoneware Pots
“[Karen Karnes] was a towering figure of the postwar studio pottery movement, pioneering salt-glazing in the 1960s and wood-firing in the 1980s. Her work opened undreamed
“[Karen Karnes] was a towering figure of the postwar studio pottery movement, pioneering salt-glazing in the 1960s and wood-firing in the 1980s. Her work opened undreamed
“Michelle Erickson is internationally recognized for her mastery of lost ceramic arts during the age of exploration and colonialism. Her contemporary work makes use of
“During [Paul Revere’s] protracted life, his activity in business and benevolence, the vigor of his mind, and strength of his constitution were unabated…Seldom has the
“…Our ideas are generated by the flow of making and our shared curiosity and wonder of the world (and people) around us…”[i] – John Littleton
Fiber artist Jan Hopkins (American, b. 1955) has garnered a great deal of attention for her intricate baskets, teapots, and torso sculptures that utilize organic
“Art is omnifarious. It appropriates all forms and assimilates all materials. The results should be a paradox…”[i] -Wendell Castle, 2016 Wendell Castle (American, 1932-2018) has
Silversmith Hans Christensen (Danish, 1924-1983) left an indelible impact on the field of metalwork in the United States. In the latter portion of the twentieth
“With each new row of beads, I more clearly see the personality of the piece emerging and it tells me what color needs to follow,
“Beatrice Wood combines her colors like a painter, makes them vibrate like a musician. They have strength even while iridescent and transparent. They have the
“…John Prip has set the standards of excellence in American metalsmithing…As an artist, he has stretched the horizons of the field. As a teacher, he
When we discovered Cubism, we did not have the aim to discover Cubism. We only wanted to express what was in us.[i]-Pablo Picasso Pablo Picasso
This blog post concentrates on another prevalent theme within the Kamm Teapot Collection, art influenced by industry. These objects contain recognizable industrial references such as
For this blog post we will focus on two ceramicists, Kurt Weiser and Sergei Isupov, who are known for covering the surfaces of their designs
The Kamm Teapot Collection contains numerous contemporary works in clay that look to historical ceramic traditions for inspiration. These designs might contain reflections of ancient
“Funk art: the art of the absurd, the ridiculous, the exaggerated.”[i] – John Natsoulas In the 1950s and 1960s some American artists began reacting against
Yixing is a city, a type of clay, and a style of pottery.[i] The city of Yixing is located on the Yangtze River Delta in
Trompe l’oeil: A French term that means to “deceive the eye.” Artists utilize this illusionistic technique to mislead the senses and effectively “blur the boundaries
“Pop Art looks out into the world. It doesn’t look like a painting of something, it looks like the thing itself.â€[i] – Roy Lichtenstein Pop
“A potter is one of the few people left who uses his natural faculties of heart, head, and hand in balance…â€[i] – Bernard Leach, 1961 Bernard
“While Dale Chihuly is the tide that raised all boats, Marquis is the craft intelligence that made the vessels seaworthy.”[i] – Regina Hackett, Seattle Post, 2001
“Just realizing that I am making work that other people respond to is very motivational.”[i] -David Sengel David Sengel is an expert in manipulating and
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